My moment -- And please do send rain!

Thou art indeed just, Lord, if I contend'
Justus quidem tu es, Domine, si disputem tecum; verumtamen
justa loquar ad te: Quare via impiorum prosperatur? &c.

by Gerard Manley Hopkins
Thou art indeed just, Lord, if I contend
With thee; but, sir, so what I plead is just.
Why do sinners’ ways prosper? and why must
Disappointment all I endeavour end?
Wert thou my enemy, O thou my friend,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me? Oh, the sots and thralls of lust
Do in spare hours more thrive than I that spend,
Sir, life upon thy cause. See, banks and brakes
Now, leavèd how thick! lacèd they are again
With fretty chervil, look, and fresh wind shakes
Them; birds build – but not I build; no, but strain,
Time’s eunuch, and not breed one work that wakes.
Mine, O thou lord of life, send my roots rain.

Just finished watching Roman Holiday for what must be the 20th time. I still love it! So, from the lips of Audrey Hepburn, at least the first line of the poem --

Arethusa
Percy Bysshe Shelley

1.
Arethusa arose
From her couch of snows
In the Acroceraunian mountains,--
From cloud and from crag,
With many a jag,
Shepherding her bright fountains.
She leapt down the rocks,
With her rainbow locks
Streaming among the streams;--
Her steps paved with green
The downward ravine
Which slopes to the western gleams;
And gliding and springing
She went, ever singing,
In murmurs as soft as sleep;
The Earth seemed to love her,
And Heaven smiled above her,
As she lingered towards the deep.

2.
Then Alpheus bold,
On his glacier cold,
With his trident the mountains strook;
And opened a chasm
In the rocks--with the spasm
All Erymanthus shook.
And the black south wind
It unsealed behind
The urns of the silent snow,
And earthquake and thunder
Did rend in sunder
The bars of the springs below.
And the beard and the hair
Of the River-god were
Seen through the torrent's sweep,
As he followed the light
Of the fleet nymph's flight
To the brink of the Dorian deep.

3.
'Oh, save me! Oh, guide me!
And bid the deep hide me,
For he grasps me now by the hair!'
The loud Ocean heard,
To its blue depth stirred,
And divided at her prayer;
And under the water
The Earth's white daughter
Fled like a sunny beam;
Behind her descended
Her billows, unblended
With the brackish Dorian stream:--
Like a gloomy stain
On the emerald main
Alpheus rushed behind,--
As an eagle pursuing
A dove to its ruin
Down the streams of the cloudy wind.

4.
Under the bowers
Where the Ocean Powers
Sit on their pearled thrones;
Through the coral woods
Of the weltering floods,
Over heaps of unvalued stones;
Through the dim beams
Which amid the streams
Weave a network of coloured light;
And under the caves,
Where the shadowy waves
Are as green as the forest's night:--
Outspeeding the shark,
And the sword-fish dark,
Under the Ocean's foam,
And up through the rifts
Of the mountain clifts
They passed to their Dorian home.

5.
And now from their fountains
In Enna's mountains,
Down one vale where the morning basks,
Like friends once parted
Grown single-hearted,
They ply their watery tasks.
At sunrise they leap
From their cradles steep
In the cave of the shelving hill;
At noontide they flow
Through the woods below
And the meadows of asphodel;
And at night they sleep
In the rocking deep
Beneath the Ortygian shore;--
Like spirits that lie
In the azure sky
When they love but live no more.

Today is a flower day --

Just the first stanza:
The Picture of Little T. C. in a Prospect of Flowers
by Andrew Marvell

See with what simplicity
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What colour best becomes them, and what smell.


Little Lion Face
by May Swenson

Little lion face
I stopped to pick
among the mass of thick
succulent blooms, the twice

streaked flanges of your silk
sunwheel relaxed in wide
dilation, I brought inside,
placed in a vase. Milk

of your shaggy stem
sticky on my fingers, and
your barbs hooked to my hand,
sudden stings from them

were sweet. Now I'm bold
to touch your swollen neck,
put careful lips to slick
petals, snuff up gold

pollen in your navel cup.
Still fresh before night
I leave you, dawn's appetite
to renew our glide and suck.

An hour ahead of sun
I come to find you. You're
twisted shut as a burr,
neck drooped unconscious,

an inert, limp bundle,
a furled cocoon, your
sun-streaked aureole
eclipsed and dun.

Strange feral flower asleep
with flame-ruff wilted,
all magic halted,
a drink I pour, steep

in the glass for your
undulant stem to suck.
Oh, lift your young neck,
open and expand to your

lover, hot light.
Gold corona, widen to sky.
I hold you lion in my eye
sunup until night.

Saffron wrote:Mine, O thou lord of life, send my roots rain.

Send my roots rain. No comment, I just felt like repeating it.

DWill said:

Send my roots rain. No comment, I just felt like repeating it.

I feel like repeating it too!

Forgive me for offering a little more Inayat Khan:-

I look to Thee O Lord, when I try to do right and it turns to wrong.
I look to Thee O Lord, when all in life seems as naught to me and I feel a yearning for something beyond.

The spring that riseth out of my heart Thou pourest upon me....... and my spirit feeleth the exaltation of being disolved under Thy divine shower.

(I might add that we are at present enduring monsoon-like rainfall - everywhere is awash......

....and we'll have some great potatoes come the Autumn!!

Nice reply, Penny! We are under our normal rainfall around here (Mid-Atlantic states).

I've been reading a book titled, Bread Body Spirit: Finding the Sacred in Food, ed. by Alice Peck. It is a collection of contemplations on food and what it means to us. I am enjoying the book very much, as food had always been an interest, really a passion, of mine for as long as I can remember. The stanza that begins "I don't want you to..." appears in the book, after reading it I felt inspired to share the whole poem.


Rice
By Mary Oliver

It grew in the black mud.
It grew under the tiger's orange paws.
Its stems thicker than candles, and as straight.
Its leaves like the feathers of egrets,
but green.

The grains cresting, wanting to burst.
Oh, blood of the tiger.

I don't want you to just sit at the table.
I don't want you just to eat, and be content.
I want you to walk into the fields
Where the water is shining, and the rice has risen.
I want you to stand there,
far from the white tablecloth.
I want you to fill your hands with mud,
like a blessing.

I think the day will be too hot to be out, so, inside I will be with poetry. I like the last stanza ---

Back with the Quakers
by Betsy Sholl

You think you can handle these things:
sunlight glinting off a red Jaguar
honking at the old woman who has snagged

her shopping cart on a snow rut,
or the swaggering three-piece suit who steps
outside the bank, earless to the mossy voice

at his feet asking for spare change,
but then the crunch of something, nothing really,
under your shoe--a dirty comb, a pen cap--

completely undoes you, and it's too much,
too much, being balanced, considering
the complexity of all sides in one

syntactically correct sentence.
All the driver has to say is "Move it,
Lady," and you're back with the Quakers

who trained you to lie still and limp in the street.
Three days they stepped on your hair,
ground cigarettes half an inch from your nose,

while you lay there, trying to be against
violence, your fists tight as grenades
and a payload of curses between your teeth,

O woman, with a mind Picasso
could have painted, giving you many cheeks,
each one turned a different way.

William Carlos Williams has taken over the moment!
Note: I am sorry the poem will not appear in its intended format. The lines are indented in a pattern. The lines are in sets of three, the first at the margin, the second indented and the third set even further in.

from "Asphodel, That Greeny Flower"
William Carlos Williams

Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers
that we both loved,
even to this poor
colorless thing-
I saw it
when I was a child-
little prized among the living
but the dead see,
asking among themselves:
What do I remember
that was shaped
as this thing is shaped?
while our eyes fill
with tears.
Of love, abiding love
it will be telling
though too weak a wash of crimson
colors it
to make it wholly credible.
There is something
something urgent
I have to say to you
and you alone
but it must wait
while I drink in
the joy of your approach,
perhaps for the last time.
And so
with fear in my heart
I drag it out
and keep on talking
for I dare not stop.
Listen while I talk on
against time.
It will not be
for long.
I have forgot
and yet I see clearly enough
something
central to the sky
which ranges round it.
An odor
springs from it!
A sweetest odor!
Honeysuckle! And now
there comes the buzzing of a bee!
and a whole flood
of sister memories!
Only give me time,
time to recall them
before I shall speak out.
Give me time,
time.
When I was a boy
I kept a book
to which, from time
to time,
I added pressed flowers
until, after a time,
I had a good collection.
The asphodel,
forebodingly,
among them.
I bring you,
reawakened,
a memory of those flowers.
They were sweet
when I pressed them
and retained
something of their sweetness
a long time.
It is a curious odor,
a moral odor,
that brings me
near to you.
The color
was the first to go.
There had come to me
a challenge,
your dear self,
mortal as I was,
the lily's throat
to the hummingbird!
Endless wealth,
I thought,
held out its arms to me.
A thousand tropics
in an apple blossom.
The generous earth itself
gave us lief.
The whole world
became my garden!
But the sea
which no one tends
is also a garden
when the sun strikes it
and the waves
are wakened.
I have seen it
and so have you
when it puts all flowers
to shame.
Too, there are the starfish
stiffened by the sun
and other sea wrack
and weeds. We knew that
along with the rest of it
for we were born by the sea,
knew its rose hedges
to the very water's brink.
There the pink mallow grows
and in their season
strawberries
and there, later,
we went to gather
the wild plum.
I cannot say
that I have gone to hell
for your love
but often
found myself there
in your pursuit.
I do not like it
and wanted to be
in heaven. Hear me out.
Do not turn away.
I have learned much in my life
from books
and out of them
about love.
Death
is not the end of it.
There is a hierarchy
which can be attained,
I think,
in its service.
Its guerdon
is a fairy flower;
a cat of twenty lives.
If no one came to try it
the world
would be the loser.
It has been
for you and me
as one who watches a storm
come in over the water.
We have stood
from year to year
before the spectacle of our lives
with joined hands.
The storm unfolds.
Lightning
plays about the edges of the clouds.
The sky to the north
is placid,
blue in the afterglow
as the storm piles up.
It is a flower
that will soon reach
the apex of its bloom.
We danced,
in our minds,
and read a book together.
You remember?
It was a serious book.
And so books
entered our lives.
The sea! The sea!
Always
when I think of the sea
there comes to mind
the Iliad
and Helen's public fault
that bred it.
Were it not for that
there would have been
no poem but the world
if we had remembered,
those crimson petals
spilled among the stones,
would have called it simply
murder.
The sexual orchid that bloomed then
sending so many
disinterested
men to their graves
has left its memory
to a race of fools
or heroes
if silence is a virtue.
The sea alone
with its multiplicity
holds any hope.
The storm
has proven abortive
but we remain
after the thoughts it roused
to
re-cement our lives.
It is the mind
the mind
that must be cured
short of death's
intervention,
and the will becomes again
a garden. The poem
is complex and the place made
in our lives
for the poem.
Silence can be complex too,
but you do not get far
with silence.
Begin again.
It is like Homer's
catalogue of ships:
it fills up the time.
I speak in figures,
well enough, the dresses
you wear are figures also,
we could not meet
otherwise. When I speak
of flowers
it is to recall
that at one time
we were young.
All women are not Helen,
I know that,
but have Helen in their hearts.
My sweet,
you have it also, therefore
I love you
and could not love you otherwise.
Imagine you saw
a field made up of women
all silver-white.
What should you do
but love them?
The storm bursts
or fades! it is not
the end of the world.
Love is something else,
or so I thought it,
a garden which expands,
though I knew you as a woman
and never thought otherwise,
until the whole sea
has been taken up
and all its gardens.
It was the love of love,
the love that swallows up all else,
a grateful love,
a love of nature, of people,
of animals,
a love engendering
gentleness and goodness
that moved me
and that I saw in you.
I should have known,
though I did not,
that the lily-of-the-valley
is a flower makes many ill
who whiff it.
We had our children,
rivals in the general onslaught.
I put them aside
though I cared for them.
as well as any man
could care for his children
according to my lights.
You understand
I had to meet you
after the event
and have still to meet you.
Love
to which you too shall bow
along with me-
a flower
a weakest flower
shall be our trust
and not because
we are too feeble
to do otherwise
but because
at the height of my power
I risked what I had to do,
therefore to prove
that we love each other
while my very bones sweated
that I could not cry to you
in the act.
Of asphodel, that greeny flower,
I come, my sweet,
to sing to you!
My heart rouses
thinking to bring you news
of something
that concerns you
and concerns many men. Look at
what passes for the new.
You will not find it there but in
despised poems.
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
Hear me out
for I too am concerned
and every man
who wants to die at peace in his bed
besides.


I will also offer an informative essay on the poem.
www.english.illinois.edu/MAPS/poets/s_z/williams/asphodel.htm

HI, Everyone,

I hope you are all well and happy. This poem comes to mind as the poem of this moment, today. It's an often-excerpted chorus from a longer ballad poem with many verses by an anonymous poet of the 1600's. It's titled "Tom O' Bedlam" :

With a host of furious fancies
Whereof I am commander,
With a burning spear and a horse of air,
To the wilderness I wander.
By a knight of ghostes and shadowes
I summon'd am to tourney
Ten leagues beyond the wild world's end.
Methinks it is no journey.

(Nobody worry. It's just a mood thing. I'm well. Just coming through a period of a lot of intense stuff going on around me.)