No Country- III- The plot.

Ophelia · Posted: Wed Mar 19, 2008 8:57 am Post subject: No Country- III- The plot.

No Country- III- The plot.

"The intricate plot, set in rural Texas, involves three characters chasing after Llewelyn Moss , a lovable salt-of-the-earth type who stumbles upon $2 million and a mess of dead bodies in the wake of a blown drug deal in the desert.

There’s the narrator, Ed Tom Bell , a melancholy sheriff nearing retirement who investigates the murders.
There’s Chigurh, an associate of the drug dealers who’s bent on recovering the money and totally unconcerned with how many innocent people he wipes out in the process. "

Chicago Reader

JohnShadeFan · Eligible to vote! Joined: 31 Mar 2008 Posts: 11 Gender:

If I were to reduce the plot down to a sentence, it would be this: "Man finds money, keeps it, and trouble ensues."

This sort of reminds mt of the book (and subsequent movie) "A Simple Plan," only there, three found the money. It also reminds me of a movie (also starring Billy Bob) where a group of freinds find a bunch of marijuana. Home Grown, it might've been called.

I have a feeling that McCarthy used a somewhat generic plot so that he could focus on Bell. To me, most of the meaning of the book all comes from Bell's interior monolgues.

Kenneth · Almost a regular Joined: 08 Jan 2008 Posts: 28 Gender:

Yes John. Your post resonates with me because in the back of my mind I have always been thinking "A Simple Plan." It's a pretty generic scenario: decent guy finds a fortune and becomes corrupted. Remember Steinbeck's "The Pearl?" A simple pearl-diver finds the fortune of a lifetime and ultimately loses everything.

I like your comments, John, regarding Bell's interior monologues. I agree that they are very important. I don't think there's much doubt that Bell's diary lays out a central theme: an erosion of morality. It's been discussed here quite a bit. Guns in schools. Ophelia spoke of knives in French schools.

I see a problem with Bell's simplistic view: "Any time you quit hearin sir and mam the end is pretty much in sight.... that leaves people settin around out in the desert dead in their vehicles..." For me this betrays a rocking-chair mentality when what is needed is a two-fisted cop. Ed Tom Bell is a positive character but he is a first class whiner, exactly what we don't need with Anton Chigurh on the loose.

I see Cormac McCarthy here as a top-shelf illusionist. He sets us up with Bell's heartfelt monologues and proceeds to lead us along with the good Sheriff's actions. We pull for this guy. We like him and long for him to succeed. But he is irrelevant. He gets close to the action only within a context of humiliation. He doesn't come remotely close to a bust-- he has no clue. He's front and center in the author's telling of the story but remains a footnote in the grand scheme of things. When Carson Wells confronts Moss in the Mexican hospital he is asked what he thinks of Bell. Wells replies that he doesn't think of him at all. "He's a redneck sheriff in a hick town in a hick county. In a hick state."

Unfortunately Wells is correct. McCarthy stacks the deck and then deals from the bottom. He gives us a moral authority (Bell) who is not a player in the game and who does not have what it takes to play the game. Yet we are tricked into following him around as if he matters. He doesn't.

JohnShadeFan · Eligible to vote! Joined: 31 Mar 2008 Posts: 11 Gender:

Agree 100% with your assessment of Bell's "philosophy." However, don't we all look for answers to explain away evil and casual violence? Bell's front-porch philosophy is less convincing than, say, a professional research report on "the effects of violence in the media," but aren't most (all?) of the theories finally unsatisfactory? This book frightened me in many ways, and this might be the core reason: there's not much that can fully account for the moral erosion in this country.

Ophelia · Posted: Mon Apr 07, 2008 2:02 pm Post subject:

John,

I'll take your post to "the themes" and carry on there.


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