A meditation on the last paragraph of Chapter 2:
The Cloud of Unknowing and the Man Clock
This magical paragraph on the phenomenology of contemplative thinking
iconically embodies its own subject matter. That is, to follow what
it says about contemplative thinking, the reader must think
contemplatively about it. The seeming disconnectedness of the
sentences and the paucity of notes in Cramer are an advisory to
prepare for heavy semantic bogging.
"Time [the flow of current events] is but the stream I go a-fishing
in. I drink at it [face down: Narcissus fashion]; but while I drink
I see the sandy bottom and detect how shallow [a life dedicated to
the passing moment] it is. Its thin current slides away, but eternity
remains. I would drink deeper; fish in the sky, whose bottom is
pebbly with stars."
The poet-philosopher proposes to fish for the heavenly fish, the
Great Man, humanity mirrored in the cosmos, the Ichthys with which
modern Christians (maybe not Unitarians?) decorate their cars. He
drinks of the social issues of the day, but sees through their
shallowness and wishes to shift from the excitement of the little
world of human affairs to a cosmic perspective where true being (the
drink and food of the true Eucharist) may be found.
"I cannot count one. I know not the first letter of the alphabet. I
have always been regretting that I was not as wise as the day I was
born."
Or as otherwise said: "...Except ye be converted, and become as
little children, ye shall not enter into the kingdom of heaven"
(Matt. 18:3). Thoreau is proposing a return to original, integral
experience -- experience without division (therefore uncountable) and
without presupposition (named concepts). When informed experience
returns to unknowingness, creative reconstruction overcomes the dead
hand of convention. Human intentionality becomes inseparable from the
object of perception as the creator puts the stuff of life into the
creation. Art is autobiography.
"The intellect is a cleaver; it discerns and rifts its way into the
secret of things." A cleaver cuts its way into a corpse. Limiting
experience to the countable and conceptualizable, intellect
depersonalizes, alienates the knower from the known, and produces a
dehumanized social existence.
"I do not wish to be any more busy with my hands than is necessary."
Busyness dissipates both the vitality of the person (next sentence:
the clock runs down) and the vitality of environing Nature through
consumption and destruction.
"My head is hands and feet" is a riddle whose answer is "a clock."
This clock is a spring-driven clock with hands on its face and little
feet under the face. Since the machinery is behind the clock's face,
the clock is almost entirely "head."
The mechanical clock is a symbol of human rationality run wild. It
cleavers time of season and life cycle, those features of existence
that are the basis of intentionality. In contrast, the man clock runs
on true, humane time -- the beat of his own drummer.
"I feel all my best faculties concentrated in it." Phrenologically,
of course. Elsewhere in his body Thoreau's health had begun to fail,
but a good person is a good mind, whatever the bodily state. A touch
of mortality wonderfully sharpens the mind -- or to continue the
metaphor, winds the clock.
"My instinct tells me that my head is an organ for burrowing, as some
creatures use their snout [Thoreau had a prominent nose] and fore-
paws, and with it I would mine [pun for 'mind'] and burrow my way
through these hills."
"Instinct" -- the unconscious component of the self that provides
wise guidance for the conscious. His instinct tells him that he
should use the higher part of himself to penetrate to ultimate
reality now rather than putting the task off until some supposed
afterlife.
"I think that the richest vein is somewhere hereabouts;"
"Vein" -- metallic ore, but also one's vein is one's personal
speciality. He has a special nose for such researches. "Somewhere
hereabouts" -- humorously for "within himself" and also for "in
ordinariness," as opposed to such exotic places as California or the
South Seas.
"...so by the divining-rod and thin rising vapors I judge;" -- I
judge by the divining-rod and thin rising vapors that the richest
vein is somewhere hereabouts.
"Divining-rod": in parallel with fishing-rod, and also literally an
instrument for finding the Divine Will. Thoreau's divining-rod is, I
believe, his special use of the Swedenborgian Doctrine of
Correspondences.
"Thin rising vapors": A complex allusion: 1. the vapors that generate
visions in Chanticleer (with whom Thoreau identifies) in The Nun's
Priest's Tale; 2. the late Medieval view that vapors in the earth
alembic produce veins of metal. Such vapors rising from the earth
would be a sign of where to mine. Agricola's De Re Metalica may be
the source. The "thin rising vapors" within Thoreau are, I believe,
the subtle affects from the perception of correspondence.
"And here I will begin to mine [mind]." The locus of "here" is the
fusion of habitat and human.
Thoreau wrote this paragraph with a smile on his face. It is a parody
of the Gold Rush fever. The stream whose bottom is pebbly with stars
alludes to the gold nuggets in the streams of California as does its
gold-dust carrying sandy bottom. Divining-rod and thin rising vapors
are archaic methods of prospecting he proposes for current use. He
proposes to set up mining locally without the bother of a difficult
trip to California. It is ironic that the Thoreau Mining Company
produced a cultural product of greater value than all the gold of
California.